The Year of the Flood

atwood_flood_uk_pbWho would believe I  am immersed in a book, a book of fiction!  unheard of for many a year.  Books I read are always non-fiction, factual, history, spiritual, philosophy, biographies.  I believe that nothing happens by chance, so padding across the floor in my villa, dripping wet from a dip in the pool, I noticed a large basket full of books and felt drawn to look, the first book I plucked out looked interesting, THE YEAR OF THE FLOOD by Margaret Atwood.   Immediate thoughts were read it, just sit back down in the sunshine and start reading, So I did.

I am just over half way, I can’t say its a book I cannot put down, or that its scintillating, but it is quite mesmerizing, not really science fiction, I would have put it down immediately, but its more a about a speculative view of what our would could become. How the corporations are hellbent in destroying everything I hold dear in my life.   Like Jeanette Winterson’s review says “it’s not prophecy, but is eerily possible.

Being a lover of nature and growing veg, Gods Gardeners, their views, ceremonies and ethos resonates in some way, it is drawing me in, I am reading this for a reason, sure there is a gift here, it will come to me, with less than half still read, I am intrigued as to why this book turned up for me right now.  Could be its going to tell me this is why you don’t read non-fiction so you were on the right track all the time !!  who knows

The Joyous Body – Clarissa Pinkola Estés

The Joyous Body: Part Three of “The Dangerous Old Woman”

live broadcasts by CPE on Sounds True

“It is the nature of the saplings to quake in the winds; hesitant, learning to hold their own places. But, the older trees, with their years of testing and being tested, they are the ones who, whether in the long stern winds or misty gales, sway the most. Less a bouquet of tentative trembling first-time buds, now much more the leaf-perfumed hips of a hundred wide women dancing—these old ones, regardless of form, sway, by heart, to the music that thunders through them.”
—Clarissa Pinkola Estés, PhD

 

The Joyous Body – Clarissa Pinkola Estés.

 

Who is the protector of this Precious Being who is my body?

 

Who is the one charged with guarding and protecting the Life Spark in this Radiant Being’s eyes?

 

Who promised to watch over to the best of her ability?

 

Who promised to overcome the inertia taught by a large part of the over-culture…

 

that once you are struggling, you must remain so, and only so.

 

Who is the heroine of this mysterious, often perilous and sometimes triumphant mythical life of mine?

 

It is me…

and Creator,

and …any stalwart soul

who joins me in love,

who blesses down hard

for the strength and longevity

the very prosperity

of my body, of our bodies….

whomsoever and in whatever shape

or condition, those dear ‘blessing people’

–or I– may be.

 

Unplugging the Patriarchy

An amazing read, buy it now and I guarantee you will not be able to put the book down until you get to the end, its a real page turner, and make such perfects sence

If we part the mystical veils and look at planet Earth,
what do we see right now?

We’re approaching the end of a cycle of time. The Patriarchy’s profit-before-people system is breaking down. Humanity’s 5,000-year schooling in power, abuse of power, and masculine/feminine imbalance is nearing an end. Something new is rising: a wave of Divine Feminine energy—so subtle yet so powerful—is moving across the planet, bringing balance in its wake.

So how do we deal with the Patriarchy’s breakdown?

We unplug our energy from it. We recognize that, at the end of a cycle, it is proper for the old to die so that something new can be born.

How can we facilitate the birth?

The Patriarchy has conditioned women to be weak. But our spiritual essence is, and always has been, power—the ability to access power from the depths of silence, to hold power within our bodies, to wield power through the heart.

At this moment, women are being asked to stand in their power. Not to standagainst something, not even to stand for something, but to stand in the energy of the Divine Feminine, an alignment where the polarity of for and against comes to rest. As individuals, none of us can stop the violence, heal the Earth, or bring peace to the world. That is the job of Spirit. But even one woman standing in this energy and allowing it to direct her life’s work facilitates the job of Spirit in a more efficient and graceful way.

The Patriarchy has conditioned women to compete against each other as a way of keeping us disempowered. It is time for us to throw off our conditioning, reach out to each other, and collaborate. Collectively standing in our power creates a network of energy that resonates as “enough is enough.” When that vibration becomes sufficiently strong on Mother Earth, the self-serving mechanisms of the Patriarchy will grind to a halt.

At this moment, men have a very different task: to reclaim the energy of the heart, to honor women while they do this sacred work, and to process their response to the crescendo of female power.

Is there hope for the future?

Between now and 2012, as the old patriarchal age ends and a new age begins, we—women and men alike—have a window of opportunity: the opportunity to dream a new world based in the energy of the heart, masculine/feminine balance, unconditional love, and respect. There is no question that this new world will prevail. The only question is: How big can we dream?

This website was created to share the experience of one woman who stood in her power, unplugged from the Patriarchy, and is learning to align with the Divine Feminine. It is her invitation to collaborate. It is a rallying point for those who wish to dream a new world.

Lucia Rene

Unplugging the Patriarchy

Mr Ford, double life? congenital control freak cutting loose, there’s a message here, a really positive one

Initially I couldn’t work out why I was drawn to this piece in the Independent.  Guess the name Tom Ford,  an extremely creative man, synonymous with great style and fashion, and the fact it was set in 1962………   Tom Ford, A teen actor, a fashion designer and now maybe an oscar for his film debut , The Single Man, originally a book by Christopher Isherwood.  The stills are wonderfully stylish, set in the 60’s it has great attention to detail, even down to eye makeup but it had to be more than that.

This following words leapt of the page to me , Mr Ford is writing about himself, the creative psyche can be excruiatingly painful. ” Ford acknowledges that Falconer’s fastidiousness is his own, but below the surface, as I read it, the meticulous ritual of George’s life is also Ford’s acknowledgement of the supreme effort it has taken to keep order in his own life. He’s had his own battles with excess, occasionally waged in public, where the bad behaviour seems reasonably typical of the congenital control freak cutting loose. When order fails, that way lies madness, which Ford contemplates in the scenes when Falconer finally falls apart. “There’s a lot about me that people don’t know,” he has said. A Single Man hints at a double life”.  Then researching interviews with Tom I came across the following, these say it all.

Hearing the word “isolation”  and new then why I was drawn.  Its not just another  vehicle for him to excel but a vehicle to tell a very important story, one that in this time in history is extremely important for us all.  In his words, a book written by the false self, from a great distance observing the true self. learning to live in the present and not the future”

We have lost the enjoyment in the small things of life, the golden sun glinting in the snow, the sunrise everyday, a walk by the sea, instead we make make huge complex plans for future times, living in the future, then one day looking back and realising “what happened, where did all that time go?  Losing our connection to the planet, to each other has lead to generations of isolated people, this sounds like a film with a real spiritual message we can all learn from.

The Artist’s Way – Julia Cameron at Alternatives

artistsway

I am just home from day spent with Julia Cameron at Alternatives, London.

This book inspired me some years back when it was offered for sale when I completed the Hoffman Process.   However, it was a year or so later before I actually picked up the book and 6 months after that I decided to make a start on the 12 week programme.  I made a start but didnt finish the entire book, however the morning pages part of the programme I kept up for some while, and then then that wained.

Then Alternative in London posted in their newsletter that Julia was coming to London to teach her programmed in the UK for the first time, I jumped at the chance and today my enthusiasm to complete the 12 weeks has been re-ignited.

For those of you who dont know about the morning pages or the artists dates which form the pivotal tools in creative recovery please follow this link http://www.theartistsway.com/pdfs/basictools.pdf

shadows…… let them be your gifts

This piece was inspired by he words of WHEN GOOD PEOPLE DO BAD THINGS by Debbie Ford
Shadows, they can haunt us or be our friends, have just read (or should I say listened)  “WHEN GOOD PEOPLE DO BAD THINGS” by Debbie Ford, thoroughly recommend it.  By exposing the facade of the false self and venturing behind the protective masks worn by our wounded egos,  we can begin to heal the split between our ego and our soul. 
I downloaded from itunes